THE queue for the L.A.M.B presentation, which wound its way almost the entire length of the Lincoln Center, was akin to the rabble outside a popular nightclub – or more aptly a concert, given the designer behind the line is none other than Mod-rocking platinum-coiffed Gwen Stefani.
Inside, models stood on elevated platforms arranged sporting a wide array of contemporary looks including a crisp white cotton jumpsuit with perforated gold details complimented with a nude handbag and gold jewellery. Next, another jumpsuit in fine black and white gingham and a white high collared exaggerated baby-doll sleeveless top with an intricate gold pattern at the neckline, teamed with white Capri pants with the same gold detailing.
The highlight of the collection was the black and white ikat print repeatedly featured throughout on garments including a Grecian-style one shoulder maxi dress with a pink and red paisley print insert running down one side, and charming baby doll dress with white yoke and high collar. These unexpected contrasts formed the basis of Stefani’s increasingly in demand, and lucrative, high/low brand.
While in the fine craftsmanship department, L.A.M.B’s wares may run a little short, Stefani’s strength lies in her ability to capture the zeitgeist, and produce clothing that is infinitely wearable.
SEE THE LAMB SHOW ARCHIVE